Old Times (REVIEW): Kristin Scott Thomas Stars In Harold Pinter's Play Of Memory And Illusion

Kristin Scott Thomas Stars In Pinter's 'Old Times' (REVIEW)
|
Open Image Modal
Simon Annand/Rex
Open Image Modal

"There are some things one remembers even though they may never have happened," Kristen Scott Thomas says whimsically in an armchair, her cigarette held aloft as the smoke curls lazily up to the lighting of the Harold Pinter Theatre.

But wait - am I certain that Thomas was actually holding a cigarette when delivering this famous line from Pinter's play Old Times, or is my imagination inserting a memory from an earlier scene?

The beguiling influence imagination can have over memory was explored by Pinter in his 1971 play long before psychologists and neuroscientists confirmed that the brains' reconstruction of events can have creative powers akin to imagination.

Open Image Modal

(l-r) Lia Williams as Kate and Kristin Scott Thomas as Anna

Anna (Kristin Scott Thomas - Four Weddings and a Funeral and The English Patient) is an old friend of Kate (Lia Williams), who appears after 20 years of absence to reminisce on old times when they lived together in London as penniless and carefree young women. Kate's husband Deeley (Rufus Sewell) is fascinated by Anna - how could his shy and homely wife have been bosom buddies with this outgoing and adventurous woman when they are such polar opposites? Tension grows as details of the unlikely relationship reveal themselves.

Thomas appears effortless as Anna as she gushes forth insincere excitement, so as to distract herself from the boredom of the reunion.

Reminiscent of the monstrous Beverly in Mike Leigh's Abigail's Party, Thomas becomes the conductor of the evening, holding a power over Sewell and Williams as they orbit her. Despite her character's pretence, Thomas succeeds in adding a veneer of underlying sadness to her lines.

Open Image Modal

(l-r) Lia Williams as Kate and Kristin Scott Thomas as Anna

The trademark sparseness of Pinter's dialogue, the clipped lines and frequent use of tense silence, could make it hard for an actor to make a character their own. However, Thomas triumphs in giving Kate a natural air with comic intonations.

Williams' fey performance comes close to failing to make an impression, but does not disappoint in the fullness of the play. Initially resentful and cold, Kate feels little more than a prop on stage on which to hang the barbed musings of Anna and Deeley, whilst the pair's sexual tension grows.

It is surprising then that Williams' voice emerges towards the climax as the clearest and most profound, as Kate recalls a 'memory' that shatters the trio's intimate world. The sense of unease that Pinter builds throughout spills forth through Williams in a mesmerising and gripping performance.

Sewell gives an engaging performance as Kate's husband, but in a play where the revelations of Kate and Anna are so engrossing, Deeley's own journey of discovery feels incidental.

Open Image Modal

Lia Williams as Kate and Rufus Sewell as Deeley

In an intriguing move, Thomas and Williams will be alternating their roles between Anna and Kate - perhaps seeing the leading ladies play both characters will give an even more fulfilling Harold Pinter experience.

Old Times is running at the Harold Pinter Theatre, London, for 12 weeks from 12 January 2013.

Old Times, Harold Pinter Theatre
(01 of06)
Open Image Modal
Kristin Scott Thomas, Rufus Sewell and Lia Williams. (Credit: Rex)
(02 of06)
Open Image Modal
Kristin Scott Thomas as Anna (left), Lia Williams as Kate (right). (Credit: Rex)
(03 of06)
Open Image Modal
Kristin Scott Thomas, Rufus Sewell and Lia Williams. (Credit: Rex)
(04 of06)
Open Image Modal
Lia Williams (left) as Kate and Kristin Scott Thomas (right) as Anna. (Credit: Simon Annand)
(05 of06)
Open Image Modal
Lia Williams as Kate and Rufus Sewell as Deeley. (Credit: Simon Annand)
(06 of06)
Open Image Modal
Lia Williams (left) as Kate and Kristin Scott Thomas (right) as Anna. (Credit: Simon Annand)
HuffPost UK Theatre Reviews
‘Leaving Planet Earth' And ‘Long Distance Affair', Edinburgh Festival(01 of45)
Open Image Modal
The Tragedy of Coriolanus, Beijing People's Art Theatre, Edinburgh International Festival(02 of45)
Open Image Modal
Charlie and the Chocolate Factory, Theatre Royal Drury Lane(03 of45)
Open Image Modal
The Cripple of Inishmaan, Noel Coward Theatre(04 of45)
Open Image Modal
CLICK TO READ REVIEW (credit:Johan Persson)
Sweet Bird of Youth, The Old Vic(05 of45)
Open Image Modal
CLICK TO READ REVIEW (credit:Tristram Kenton)
Passion Play, Duke of York's Theatre(06 of45)
Open Image Modal
CLICK TO READ REVIEW. (credit:Johan Persson)
Fallen In Love, The Tower of London(07 of45)
Open Image Modal
Proof, The Menier Chocolate Factory(08 of45)
Open Image Modal
CLICK TO READ REVIEW. (credit:Nobby Clark)
Peter And Alice, Noel Coward Theatre(09 of45)
Open Image Modal
CLICK TO READ REVIEW. (credit:Johan Persson)
The Winslow Boy, The Old Vic(10 of45)
Open Image Modal
CLICK TO READ REVIEW. (credit:Nobby Clark)
The Audience, Gielgud Theatre(11 of45)
Open Image Modal
CLICK TO READ REVIEW. (credit:Johan Persson)
Macbeth, Trafalgar Studios(12 of45)
Open Image Modal
CLICK TO READ REVIEW. (credit:Johan Persson)
Desolate Heaven, Theatre503(13 of45)
Open Image Modal
The Showstoppers, Royal Albert Hall(14 of45)
Open Image Modal
Old Times, Harold Pinter Theatre(15 of45)
Open Image Modal
Cirque Du Soleil's Kooza, Royal Albert Hall(16 of45)
Open Image Modal
The Bodyguard, Adelphi Theatre(17 of45)
Open Image Modal
We Are Most Amused, Royal Albert Hall(18 of45)
Open Image Modal
Kiss Me Kate, Old Vic(19 of45)
Open Image Modal
Unleashed, Barbican(20 of45)
Open Image Modal
The Upstairs Room, King's Head Theatre(21 of45)
Open Image Modal
The Dark Earth And Light Sky, Almeida Theatre(22 of45)
Open Image Modal
Where The Mangrove Grows, Theatre503(23 of45)
Open Image Modal
Forests, Barbican(24 of45)
Open Image Modal
Uncle Vanya, Vaudeville Theatre(25 of45)
Open Image Modal
Forever Crazy Starring Kelly Brook, Crazy Horse Cabaret(26 of45)
Open Image Modal
Nosferatu, Barbican(27 of45)
Open Image Modal
The River, Royal Court Theatre(28 of45)
Open Image Modal
Michael Clark's Company - New Work, Barbican(29 of45)
Open Image Modal
Ding Dong The Wicked, Royal Court Theatre(30 of45)
Open Image Modal
The Second Mrs Tanqueray, Rose Theatre Kingston(31 of45)
Open Image Modal
Timeless Tales, Christ Church Spitalfields(32 of45)
Open Image Modal
Our Boys, Duchess Theatre(33 of45)
Open Image Modal
Charley's Aunt, Menier Chocolate Factory(34 of45)
Open Image Modal
A Chorus of Disapproval, Harold Pinter Theatre(35 of45)
Open Image Modal
Let It Be, Prince of Wales Theatre(36 of45)
Open Image Modal
Mademoiselle Julie, Barbican(37 of45)
Open Image Modal
Three Sisters, Young Vic(38 of45)
Open Image Modal
Philadelphia, Here I Come!, Donmar Warehouse(39 of45)
Open Image Modal
Ten Billion, Royal Court Theatre(40 of45)
Open Image Modal
A Doll's House, young Vic(41 of45)
Open Image Modal
Land of Giants, Titanic Causeway, Belfast(42 of45)
Open Image Modal
The Last of the Haussmans, National Theatre(43 of45)
Open Image Modal
Posh, Royal Court Theatre(44 of45)
Open Image Modal
Gross und Klein, Barbican(45 of45)
Open Image Modal